unapologetic blackness: Beyoncé rocks militant

Standard

On twitter I wrote…

Beyoncé’s halftime cameo? takeover? was full of pro-black imagery:

Her costume paid homage to Michael Jackson at the Super Bowl. The backup dancers dressed in Black Panther inspired costumes miles away from the birthplace of the Marxist civil rights era political organization. Beyonce and the her squad least subliminal formation was an “X” right at the 50 yard line. The lyrics of song of choice “Formation” has her stating her heritage as a Negro and Creole, two distinctly American heritages linked inextricably to the black diaspora. She declares her love for her man’s nose and his “Jackson 5 nostrils”.

the reference image for aforementioned nostrils (source Wikimedia, Jackson 5 1974)

And it begins and ends with references to Katrina’s destruction of New Orleans.

This is Beyoncé publicly claiming blackness  (No Dolezal). But Beyonce’s salute to the young black people was when she hit the “Milly Rock”.

The “Milly Rock” is a song and a two step that is the immediate cousin of last year’s “Shmoney Dance” by Flatbush, Brooklyn rappers  Bobby Shmurda and Rowdy Rebel  from the video for the single “Hot N*gga”. Beyonce and Jay Z cosigned the Shmoney Dance during their “On the Run” concert.

2 Milly is a rapper from Bedford-Stuyvesant, Brooklyn, New York. 2 Milly is a ___ of “Too Militant”, but the militant is in the lyrics. “Milly Rock on Any Block”. This is genius.

 

I originally missed this, due to being out at a bar in Scottsdale watching the game while enjoying adult beverages while watching the game. but black twitter was on point and young black twitter is still talking about it.

it’s code talking to the young black people.